MŰHELYTITKOK / WORKSHOP SECRETS

Since I didn't have the opportunity to teach, I thought I would present some technical solutions to those interested, in order to pass on the experience of three decades spent in painting. Some people considered the works I created in thirty years to be insufficient. There are two reasons why I painted relatively few oil paintings. One reason is my limited mobility, which I don't like to refer to, but in this case it is unavoidable, since I started painting with oils when I was already sick. On the other hand, from the very beginning I painted with an old method, developed during the Renaissance.

Namely with the layer technique, which in practice means that I apply several, at least three thin, transparent layers of paint to a picture. I have a blackboard painting that I only felt was finished after painting the seventh layer. A new layer can only be painted after the previous one has dried. This also slows down the work. So I can safely say that I painted at least three times as many, only on the same woodfibre or canvas.

ANYASÁG 1976-2006 (első változat) / MOTHERHOOD (first version) 1976

ANYASÁG (második változat) / MOTHERHOOD (second version) 2006

ANYASÁG (harmadik változat)

MOTHERHOOD (third version) 2006

ÁLOMUTAZÁS 1976-2006 (az "Anyaság" negyedik változata)

DREAM JOURNEY 1976-2006 (the fourth version of "Motherhood")

Az első három változat csak fotón, illetve virtuálisan létezik.

The first three versions only exist in photos or virtually.

Igy indult a "Pipacsok a szélben" című képem

So began my painting "Poppies in the Wind"

PIPACSOK A SZÉLBEN / POPPIES IN THE WIND 2004

És ilyen lett további két lazúr után.

And this is what it looked like after two coats of paint.

Ez volt az alapja a "EGYEDÜL" című képemnek.

This was the basis for my painting "ALONE".

És ilyen lett / And so it happened..

ORGANIKUS KALANDOZÁS 1993 című kompozíciómban megtetszett egy részlet, ami egy embrióra emlékeztetett. Eredetileg csak egy barokkos csigavonalnak indult, de végül ez lett a "Célpont" című képem központi motívuma.

In my composition ORGANIC ADVENTURE 1993, I included a detail that reminded me of an embryo. Originally, it started out as just a baroque spiral line, but it eventually became the central motif of my painting "Target 1994".

Részlet a fenti képből / Detail from picture up.

CÉLPONT / Target 1994

PAPÍRKIVÁGÁSOK 1978 a sokadik lazúr után.

PAPER CUTTINGS 1978 after the umpteenth layer.

Matyi háromévesen,

ez a fotó volt a "Kis kölyök" képem alapja

Matyi at three years old,
this photo was the basis for my painting "Little kid"

KIS KÖLYÖK / LITTLE KID 1976